EBOOKS: WHAT WORKS FOR YOU?

E Books have started to become the rave in literature. For a one time price a reader can download their favorite books, magazines and newspapers to their ereader device (Kindle, Nook, Sony, IPad) and enjoy reading their titles. The added bonus to having the ability to get their favorite book anywhere at any time is that they can carry as many as the device can hold at one time.

These devices are also changing things with self publishing. Now a writer can directly upload their books to the systems servers, set a price and start to bring in a return. But a question I often get from writers; Are publishing ebooks better than traditional publishing? Well, let’s compare the two.

I broke down the system of getting your book put together in another blog. With the exception of having to do a layout for your book, everything else still applies. You want your work to be at its cleanest so you cannot avoid those first steps. Having your work edited should always be a must and you do need to have a cover for you book to attract customers.

The major differences between traditional and ebooks is pricing and printing.

There are no printing costs with EBooks. You do not need to keep boxes of books in your home to sell, no print on demand necessary nor to you pay a storage fee for distribution. The technology now has the customer simply download the book to their device.

If you need to make changes to your work, you can simply switch your ebook to draft mode, fix your document and upload it back. Unlike traditional where you have to recall the book, fix the problem, redo the entire layout then reissue the book which costs.

There are no barcodes necessary for ebooks, another cost saver. With ebooks, all you do is assign a price to the book and you’re good to go. You can also change the price without having to fix the cover. Barcodes on books are found on the back cover and to change them requires a recall of the book, reissuance then back to print. If you go with a regular printer and order 100 books then decide to change the price, those books you have can’t be sold in a store.

As for pricing your ebooks, the same concept applies here as it applies to your print books; you make up the price. But there are some things you need to consider about that.

With print books, take into consideration your printing costs. You need to price your book good enough to offset that price as well as tax. This way you get a decent return in sales.

Also with print, the size and texture of your book should be considered. Paperback books are always cheaper because shipping costs for them are lower. Hardcover books are heavier and cost more to ship. They also don’t sell as well as paperbacks because they both more money for the consumer and aren’t as travel friendly.

Ebooks tend to be very consumer conscious. Many of them are under $10. Kindle even has books that start at $.99. Kindle has a deal that as long as you set the price of your book below $9.99 you get 70% of your sales. You can set the price higher but, like hardcover books, people will tend to gravitate to the more affordable end of the deal. You will find that many people will ask if your book is on Kindle or Nook as that’s the way they like to purchase and read their books.

Publishing through ebooks does not exclude the fact that you still need to market your work. Even if you price your work for cheap, you still need people to get out there and purchase the book. Making sure you market your book is very important.

Now while the ebook way is cheaper and cost effective in many ways, I wouldn’t suggest it be the only way. It’s difficult to promote books at fairs and conventions when you don’t have something to show. You can carry an ereader around with you and show off your book, but potential buyers like to have a product they can hold. Also, most reviewers and book clubs like sample copies and won’t go out of their way to download a book to read or pay for it to review it. Also, you cannot sign ebooks and the novelty of having something signed by the author will never fade away.

Ebooks, though, can be great ways for you to push other works you may want to print but feel don’t warrant the full book treatment as well. Short stories can be sold for a dollar, maybe you have a novella you want to just get out there for your fan base. You could even put a companion piece to a novel you have already written and give a code to your readers to read it in one of your books.

The choice will ultimately be yours in the end. Check out both options and see what fits your budget and, more importantly, your goals.

A FLY ON THE WALL PREMIERE HAS BEGUN

The premiere of A Fly on the Wall has begun. The film is now up on YouTube and Vimeo for you to watch and enjoy. See the introduction of the film by me before watching all three parts of the film. The film can be viewed on channel Hobbcat2012 on YouTube and The Cat Lab on Vimeo. And feel free to comment. Thank you.

A FLY ON THE WALL: THE MOVIE

Hello everyone. I wanted to announce that on February 8th I will be launching my film from 2001 A Fly on the Wall. Long before i started writing plays and books, I was writing screenplays. This film was my first venture in directing. The film was shot over the course of three weekends in the month of May of 2001. The film was intended to go out to festivals but because of it's length (49 minutes) it was deemed either too long or not long enough. The film has sat dormant until now.

The film had to be broken into three parts because of time constraints on both YouTube and Vimeo. You can watch all three parts on both sites.

I hope you enjoy this little gem and feel free to comment on it.

Look for the film February 8th on Hobbcat2012 on YouTube and The Cat Lab with Marc L Abbott on Vimeo.

WRITERS WRITE: BLOCKAGE, MOTIVATION AND WORD FLOW

“There is no such thing as writers block!”

I have heard this said loud and clear. The explanation that followed was just as absurd. “Writer’s block happens because the writer isn’t serious.”

Now, I’m here to tell you that writer’s block does exist. It can come a variation of things; fatigue, lack of motivation, sometimes you just get stuck. Look, writing is a job. Yes, it’s an art form too but its work.

Most of us writers don’t live off their writing. The vast majority of writers I have met have other day or night jobs. Physicians, teachers, professors, security guards and even newspaper reporters. We love to write, it’s our passion, and it’s what we love to do. But it does take up hours in the day to do and concentration to do it. For some of us words come easy, others need to be more focused.

I am the kind of writer who can write nearly anywhere except a quiet room. If it’s quiet, I go to sleep. If the tv is on, or I’m at work on my break, I can write like there is no tomorrow. Writing is my distraction from the everyday and it helps me get through it all. But there are times when a story will just stop in my head and I can’t go around the wall.

My newest novel, The Dead Syndicate, took me close to 18 years to complete. Of course in that time I published other works, but this was to be my opus and every time I got to a certain point in the book, I would draw a blank. I would have to put it down and work on something else until the juices started flowing again.

How do we get past writers block? I am a firm believer in putting something to the side until it speaks to you again and going with the flow. If you have another story in your head or even an idea for one, write it out. Put it to paper and get it out of the way. Sometimes that’s what’s blocking your flow. A fresh idea can always lead you back to a piece you’re stuck on.

Sharing Your Work In ProgressConsider joining a writers group if you’re not part of one already. My experiences with a writers group have helped me immensely. By taking about my work and reading it aloud, I get feedback from the others that normally wouldn’t have crossed my mind. It’s a great way to get rid of that writers block, get motivated and get those words flowing again.

Script Writing Writing your work in script form can help with both dialogue and structure. Think of a script as the skeleton. You can build conversations and create description without getting bogged down with a lot of detail. Then go back and overlay the story, filling in the gaps along the way.

When I wrote A Gamble of Faith the play, it never occurred to me to do a novel version of it. The idea came from a member of the audience who had seen the play several times. The request that I write the book version sent me back to the script with a fresh set of eyes. With all the dialogue in place, I simply wrote the novel around it, keeping much of the dialogue intact.

What does have to do with writers block? Despite the fact that the dialogue was there, creating a story around it took some doing. But in this case I could read ahead through the dialogue and regain my foothold on the story.

Go someplace outside your comfort zone: Every writer has a place where they write; coffee shop, home, library. Sometimes, getting away from these places and writing someplace else can stimulate the brain and help formulate new ideas. I make it a habit to always have two composition notebooks and a journal with me where ever I go. Ideas can come at anytime. So if I am at home and nothing is flowing, I may go out to the park or jump on the subway and head to the city and ideas will come to me. A change in scenery is always helpful.

Walking Away: Believe it or not, a great way to motivate yourself and to break that writers block is to walk away from the writing for awhile. I sometimes will play a video game or go for a walk just to get away from the piece I’m working on to clear my head. There are times I will walk away from a piece for months and work on something else until I find the inspiration I need to go back to the story. This is something I always do when I’m writing a play and have a lot of dialogue to write.